Notifications can be turned off anytime from settings.
Item(s) Added To cart
Qty.
Something went wrong. Please refresh the page and try again.
Something went wrong. Please refresh the page and try again.
Exchange offer not applicable. New product price is lower than exchange product price
Please check the updated No Cost EMI details on the payment page
Exchange offer is not applicable with this product
Exchange Offer cannot be clubbed with Bajaj Finserv for this product
Product price & seller has been updated as per Bajaj Finserv EMI option
Please apply exchange offer again
Your item has been added to Shortlist.
View AllYour Item has been added to Shopping List
View AllSorry! "Stanislawski, Strasberg, Grotowski." Eine Reflektion Uber Die 'Kunst Des Erlebens' is sold out.
You will be notified when this product will be in stock
Learn More about the Book
Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universitat Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultat), Veranstaltung: Theatertheorien des 20. Jh., 9 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: This paper investigates the 'menschenbild' behind the acting theories of Strasberg and Grotowski. As well, it examines Stanislavski's technique of accessing the 'emotional memory' and how this technique is used in theatrical performance. Strasberg and Grotowski are both influenced by Stanislavski, yet they each have differing opinions about how an actor can mine their subconscious. Strasberg stresses the primacy of the internal. Whereas Grotowski advocates physical and psychological self-transgression. Both theorists tend to violate the intimate boundaries of the actor. This paper argues that a should 'menschenbild' include respect and the inviolability of the psyche. Strasberg and Grotowski's ideas do not guarantee an emotionally secure situation for the actor on stage. Also, it is debatable if their techniques are even effective in creating visceral performances on stage, since real experience is the aim of naturalistic theatrical performance. This paper maintains, in Stanislavski's tradition, a performance technique that includes the outside world is essential to achieve a vivid and truthful acting style."
The images represent actual product though color of the image and product may slightly differ.
Register now to get updates on promotions and
coupons. Or Download App