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Sorry! Canvs Cypresses and Two Women, second version, 1890 Wood Art Prints With Frame Single Piece is sold out.

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Canvs Cypresses and Two Women, second version, 1890 Wood Art Prints With Frame Single Piece

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Highlights

  • Canvs
  • Material:Wood
  • Overall (in cms.):122
  • Overll Height (in cms.):199
  • Combination Of:Single Piece
  • Frame:With Frame
  • SUPC: SDL577247070

Description

In mid-1889, and at his sister Wil's request, Van Gogh painted several smaller versions of Wheat Field with Cypresses. The works are characterised by swirls and densely painted impasto, and include The Starry Night, in which cypresses dominate the foreground.\n\nOther works from this period include Olive Trees with the Alpilles in the Background (1889), about which, in a letter to his brother, Van Gogh wrote, "At last I have a landscape with olives," Cypresses (1889), Cypresses with Two Figures (1889–90), and Road with Cypress and Star (1890). While in the asylum in Saint-Rémy, Van Gogh spent time outside painting pictures of the trees in the olive groves. These are rendered as gnarled and arthritic as if a personification of the natural world, according to Hughes who explains that they are filled with "a continuous field of energy of which nature is a manifestation"….\nThe above description is of the Original Painting (original painting is NOT the part of this product, it is only for your reference). It is reprinted and sold by Canvs. Canvs is the home to Indian Designers. Here is where you find the most incredible work from the most talented folks of India! Find your pick for personal wear, home decor, art prints and more! \nIf you are looking to buy some other variant of this product, feel free to get in touch with us! This product is the reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain it was published (or registered with the U.S. Copyright Office) before January 1, 1923.

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The images represent actual product though color of the image and product may slightly differ.

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