Brief Description
This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.
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Apollo was the ancient god of light and the divine patron of the arts. He is therefore a fitting metaphor for cinematography, which is the modern art of writing with moving light. This book interprets films as visual texts and provides the first systematic theoretical and practical demonstration of the affinities between Greco-Roman literature and the cinema. It examines major themes from classical myth and history such as film portrayals of gods, exemplified by Apollo and the Muses; Oedipus, antiquity's most influential mythic-tragic hero; the question of heroism and patriotism in war; and the representation of women like Helen of Troy and Cleopatra as products of male desire and fantasy. Covering a wide range of European and American directors, genres and classical authors, this study provides an innovative perspective on the two disciplines of classics and cinema and demonstrates our most influential medium's unlimited range when it adapts ancient texts.
Review Quotes
1. 'There is no denying Winkler's breadth of knowledge and standards of scholarship, which provides us with page after page of informed and well illustrated guidance to the classical roots of so much of our modern cinema.' Media Education Journal
2. One of the best known authorities on antiquity in film reviews various ways in which classical culture has directly or indirectly shaped the medium of film .this book is driven by a principled enthusiasm .It is an important resource because it makes a compelling case for mutual benefit between film studies and classical studies.
