Brief Description
In one of the most perceptive and influential works of criticism in Western literary history, third century B.C. Greek philosopher Aristotle examines the literature of his time, describing the origins of poetry as an imitative art and drawing attention to the distinctions between comedy and tragedy. Aristotle helped establish the foundations of Western philosophy, and his influence is evident in philosophical thought today.
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Aristotle's Politics is a key document in Western political thought. In these first two books Aristotle shows his complete mastery of political theory and practice, and raises many crucial issues still with us today. In Book I he argues vigorously for a political theory based on 'nature'. By nature, man is a 'political animal', one naturally fitted for life in a polis or state. Some people, however, are natural slaves; and women are by nature subordinate to men. Acquisition and exchange are natural, but not trading for profit. In Book II he launches a sharp attack on Plato's two 'utopias', the Republic and the Laws, and also criticizes three historical states reputed to be well governed: Sparta, Crete, and Carthage. This volume contains a close translation of these two books, together with a philosophical commentary. It is well suited to the requirements of readers who do not know Greek.
On the Back Cover
Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.
